Exhibitions

2024

Roots & Routes, Curated by Gia Harewood, DC Arts Center, Washington, DC

Artomatic, 2100 M Street, Washington, DC

2023

Any Body, Every Body, Rhizome, Washington, DC

Wallmountables, DC Arts Center, Washington, DC

Here Not Here, Brentwood Arts Exchange, Brentwood, MD

2022

Human Nature, Curated by Eric Celarier, DC Arts Center, Washington, DC

2021

Organic Destruction, Curated by Thomas James, Baltimore Creative Alliance, Baltimore, MD

Green Archives, Curated by Marissa Long, Art Enables, Washington, DC

2019

The Shape of Things to Come, Curated by Amina Cooper, Betty Mae Kramer Gallery, Silver Spring, MD

Oh, Hi., Curated by Hannah Davis and Ben Weathers, Big Toe Gallery, Online (Solo)

2018

Unframed, Willow Street Gallery, Washington, DC

2017

NextGen 4.0, Juried by Cathy C. Cook and Tim Doud, Kaplan Gallery, VisArts, Rockville, MD

Lampoon: Colleen Billing, Eleanor Farley, & Shelley Picot, Curated by Julia Owens, AUTOMAT, Philadelphia, PA

2016

The Drawing Board, Curated by Cory Oberndorfer, DC Arts Center, Washington, DC

2014

Slow Noise, Curated by Hiroshi Tachibana, Provisional, Johnson, VT

2013

Arches Juried Student Print Biennial, Gallery 808, Boston University, Boston, MA

Senior Thesis Exhibition, Mount Holyoke College Art Museum, South Hadley, MA


Awards & Residencies

2022­–24

Sparkplug Collective, District of Columbia Arts Center

2019–20

Arts and Humanities Council of Montgomery County Artist and Scholar Grant

2017

VisArts NextGen 4.0 Juror’s Award

Maryland State Arts Council Individual Artist Grant in Sculpture/Installation

2014

Vermont Studio Center Residency and Artist Grant, Johnson, VT

2013

Honors for Thesis in Studio Art, Mount Holyoke College

2012

Margaret V. C. Gould Scholarship for Studio Art, Mount Holyoke College

Career Development Grant for Study of Book Arts Techniques, Mount Holyoke College


Press & Publications

2024

Mark Jenkins, “Defining our roots as a pathway to introspection,” The Washington Post

DC Arts Center, Roots & Routes, Exhibition Catalog

2023

Mark Jenkins, Review of Here Not Here, “In the Galleries: Colorful shapes, dazzling drama,” The Washington Post

Eric Celarier, “East City Art Reviews—Here Not Here at Brentwood Arts Exchange", East City Art

2022

Mark Jenkins, Review of Human Nature, “In the Galleries: Sculptures as statements of architecture’s past and present,” The Washington Post

DC Arts Center, Human Nature, Exhibition Catalog

2019

Chris Slattery, “Kramer Gallery Exhibits The Shape of Things to Come,” CultureSpotMC

Teaching Experience

2015

Program Administration Fellow and Open Studio Facilitator, Smith Center for Healing and the Arts, Washington, DC

2012–13

Teaching Assistant, Printmaking, Mount Holyoke College, South Hadley, MA

Teaching Assistant, Papermaking, Mount Holyoke College, South Hadley, MA

Additional Experience

2015­–22

Communications and Marketing Manager; Marketing Coordinator, Strathmore Art Center, North Bethesda, MD

2020­–21

Juror, Maryland State Department of Education Fine Arts Office Fall/Spring Student Exhibitions, First Lady’s Gallery, Online

2014–15

Program Administration Fellow; Programs & Engagement Intern, Smith Center for Healing and the Arts, Washington, DC

2013–14

Temporary Programs Assistant; Alix Zacharias Intern; The Eric Carle Museum of Picture Book Art, Amherst, MA

2010–13

Audiovisual Technician and Student Supervisor, Media Resources, Mount Holyoke College, South Hadley, MA

2013

Participant in Ricerche: three by Sharon Hayes, South Hadley, MA

2012

Intern in Book Arts Techniques, Center for Book Arts, New York, NY

Assistant to Master Printer Jon Goodman for Mt. Koyasan by Petah Coyne, Williamsburg, MA

Installation Assistant, Artists & the Noble Profession, Mount Holyoke College Art Museum, South Hadley, MA


Education

2013

B.A. Magna Cum Laude, Studio Art & Biological Sciences, Mount Holyoke College, South Hadley, MA